“Tokaido Yotsuya Kaidan (The Ghost of Yotsuya)”, Oiwa marries her husband Iemon on her father's orders and leaves him on his own. Her obedience to her father's orders reflects the value that women are supposed to obey men. Oiwa's values reflect the ideology of the samurai society of the time, and one such value is that women are to obey men. Oiwa, who holds the values of the samurai family strongly in her heart, takes revenge on her husband and the people around him who killed her father after she becomes a vengeful spirit. It can be said that her revenge was aimed at destroying both her own and her husband's families and destroying the houses that made up the samurai society. From Oiwa, we can learn about the male-dominated samurai ideology.ReferencesCulture Digital Library Viewed July 16, 2022https://www2.ntj.jac.go.jp/dglib/contents/learn/edc26/sakuhin/jidai1.htmlMIZUOCHI Kiyoshi. 1989. Kabuki Shinshi Roku Edo no City Boy ‘List of famous kabuki gentleman, City Boy in Edo’. published by Kamakura Shobo.MIZUOCHI Kiyoshi. 1989. Kabuki Shukujo Roku Edo no Career Woman ‘List of famous kabuki ladies, Career Woman in Edo’. published by Kamakura Shobo.There are many more characters in kabuki than the three discussed here, and each reflects a different set of values. From the three characters discussed here, we could see the values of the Edo period: men who valued loyalty, women who were expected to be mothers, and the male chauvinism of the samurai ideology. Although these are only a few examples, it can be said that the works that are still performed today are those that have been popular since the Edo period and reflect the values of the time. These examples suggest that the view of men and women in the Edo period differed from that of today, in that loyalty was valued and male dominance was the norm.I would like to study more examples of works that were not covered in this essay in the future.参考文献文化デジタルライブラリー 2022年7月16日閲覧https://www2.ntj.jac.go.jp/dglib/contents/learn/edc26/sakuhin/jidai1.htmlhttps://www2.ntj.jac.go.jp/dglib/contents/learn/edc15/sakuhin/p8/index.html水落潔『歌舞伎紳士録 江戸のシティーボーイ』鎌倉書房、1989年発行水落潔『歌舞伎淑女録 江戸のキャリアウーマン』鎌倉書房、1989年発行歌舞伎には今回取り上げた3人より多くの登場人物が存在し、それぞれの人物は様々な価値観を反映している。今回取り上げた3人からは江戸時代の価値観―忠義を大切にする男性、母としてあることを求められる女性、武家思想の男尊女卑―を見ることが出来た。少ない事例ではあるが、現在も上演されている作品は江戸時代から人気があり、当時の価値観を映し出す作品であると言える。これらの例から江戸時代の男女観は、現在と異なり忠義を大切にすること、男尊女卑が常であることが導き出される。今回のエッセイでは取り上げられなかった多くの事例がある。今後はより多くの作品事例を研究していきたい。52
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