Introduction. The purpose of this paper is to examine how religion is incorporated into the subculture of manga, with a focus on the ‘Jujutsu Kaisen’ series.Chapter 1: Religious Perspectives in ‘Jujutsu Kaisen’: Comparison with ‘Jigokuraku.’ Chapter 1 provides an overview of ‘Jujutsu Kaisen’ and ‘Jigokuraku,’ both of which are based on Buddhist themes, and compares the differences in characteristics, historical backgrounds, and motifs of each work.Chapter 2: Gojo Satoru and the Motif of Domain Development in ‘Jutsu Kaisen.’ Chapter 2 focuses on GOJO Satoru in ‘Jujutsu Kaisen’ and his domain development, which stands like a special technique in the work, and his relationship with Buddhism.Chapter 3: The Connection between ‘Jujutsu Kaisen’ and the Japanese View of Non-Religion. Chapter 3 discusses “irreligion” as seen in subcultures and the view of irreligion as seen in ‘Jujutsu Kaisen.’ The non-religious view in ‘Jujutsu Kaisen’ is also discussed by giving examples of objects related to religion that appear in the work throughout ‘Jujutsu Kaisen’ and the author's thoughts, as well as scenes where parodies are being portrayed.Conclusion The purpose of this paper was to examine how religion is integrated into manga through ‘Jujutsu Kaisen’ and its connection to the Japanese view of non-religion. Many of the works on the subject of religion, such as ‘Jujutsu Kaisen,’ were born out of the Japanese custom of ‘not being religious,’ and have been accepted. It is neither a ‘religion of creation’ nor a ‘religion of nature,’ but a genuine ‘non-religion’ in which even the concept of ‘faith’ no longer exists.41 ■■■■42
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